Farewell, Prudencia

Wondrous, eccentric, talented, larger-than-life Prudence Emery, the co-author of four mystery novels set at the Savoy Hotel where she was press officer in the late 1960s, died Sunday afternoon on Vancouver Island.

Prudencia, as I called her, was as colorful as her short-cropped russet hair (lately with purple hues added) and her big glasses with the purple-and-green frames. Best of all from my selfish point of view, she was the delightful, funny friend on the other end of the phone reminiscing about our adventures together back in the mythical mists of time when we would live and laugh forever.

My memory is of us meeting for the first time in 1974 on the set of a horror movie, Black Christmas. She was the publicist, I was the writer doing a story. Pru would end up doing the on-set publicity for 120 movies over the following years. She would phone me up every so often and say something like, “Basie-kins—I was always Basie-kins—“get on a plane and come to Israel to interview Tony Curtis.” On the plane I would get. The next thing I knew, I was snorkeling in the Red Sea with her.

We ended up in a snowbank in remote Barkerville, B.C. with Rod Steiger. We drank champagne with the legendary British playwright John Osborne in Montreal. She used her wiles to get Oliver Reed to drink with me (not so hard!), and Ann-Margret to kiss me (long story!).

Along the way we became great friends, often—too often perhaps—hearing the chimes at midnight and turning the moon to blood. Prudence was a character. She was fun. And she was fearless. Tony Curtis wouldn’t talk? Most publicists would cower. Not Pru. Tony Curtis talked.

Now I knew that in an earlier life she had worked in the press office at London’s iconic Savoy Hotel but I had no idea of the kind of glamorous existence she had led there until she published her memoir, Nanaimo Girl.

In the five years she was at the Savoy, Pru rubbed shoulders with just about everyone who was anyone. Legendary playwright Noël Coward was a friend (she organized his 70th birthday party at the hotel). She dined with the equally legendary John Huston, got to know another legend, Louis Armstrong, kept still another legend, Elaine Stritch, company late into the night. Pierre Trudeau crossed her path, so did Paul McCartney.

Pru lived the high life. Champagne arrived at the press of what became known as the Waiter Button on her desk. Not surprisingly, that button made her very popular not only with visiting celebrities but also with the Fleet Street reporters who chased them. There was first-class travel on the continent, various affairs and lovers, but eventually, even for Pru, it became too much. She retreated back to her native Canada and began a new career as a publicist.

Reading through her Savoy adventures—the most fascinating section of Nanaimo Girl—I was struck with the notion that this might be the basis for a novel: plucky young heroine in a grand hotel in Swinging London solving a mystery or two. I telephoned Pru and ran the idea by her. “I’ve never written a mystery,” she said. “Well, I have never stayed at the Savoy,” I countered. “Together we make the perfect combination.”

And we did. If nothing else, I thought as we started out, our fledgling collaboration would be a good excuse to rekindle a long-ago friendship. We talked on the phone for hours about old times, people who had come and gone in our lives. Once in awhile we even talked about our book.

I’ve often been asked what it was like collaborating with another writer after a lifetime of going it alone. With Pru it was a joy. I would write a couple of chapters in Milton, Ontario and then send them off to Pru on Vancouver Island. Pru came up with our heroine’s first name, Priscilla. I added her last: Tempest.  Thus was Priscilla Tempest born. It was that kind of easy collaboration. If I needed inspiration for Priscilla, I didn’t have to look much further than Prudence.

We wrote what became Death at the Savoy more or less as a lark, with no particular expectation on the part of either of us. Thanks to our agent, Bill Hanna, publishers were found in Canada and France. The film rights were optioned. An audio book deal was made. Prudence and I found ourselves writing not one Priscilla Tempest mystery but four of them. No one was more amazed by this than the two of us.

Back from six weeks in Europe and a meeting with our French publisher, I called Pru Sunday afternoon to bring her up to date. She didn’t answer. I thought she was probably out and would call back. Hours later came the news that Pru, who had been in failing health for the past year or so, was gone at the age of eighty-six.

Devastated, of course, reeling from the sudden shock of losing yet another old friend, but then I was filled with a sudden urge to laugh and shake my head. Somewhere, I was certain, my lovely Prudencia was pressing the Waiter Button. Champagne was on the way…

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The David Cobb I Wanted to Be

David Cobb, Jack Batten and Ron Base

The first phone call I ever made as I started writing for Toronto’s fledgling Sunday Sun was to David Cobb.

I remember being terribly nervous as I made the call to get a quote for a piece I was writing. This was…David Cobb… one of my writing heroes. As a teenager yearning to be a writer I had read him avidly in the entertainment section of the Toronto Telegram. If only I could write like David Cobb, I used to think. Now that would be an accomplishment.

My nervousness didn’t last long. David came on the line immediately, happy to talk to me in those trademark clipped English tones of his, softened by years in Canada but still quite evident. He was everything I had hoped he would be, welcoming, intelligent, insightful, all the qualities I would come to know so well—not the least of which was his sublime talent when it came to the smooth, beautiful prose he brought to his work.

When I heard of his death a month short of his 90th birthday, all these years later I found myself still wishing I could be David Cobb, wishing I could write anywhere close to the way he could write. Impossible of course. David was unique both as a writer and as a human being.

He flowered during what was probably the last great era of magazine and newspaper writing in Toronto. In his heyday at the Canadian magazine and at Maclean’s, he soared above just about everyone else. By then, I had gotten to know him and his delightful wife, Loral. Even so, I always felt a trifle in awe meeting up with him.

Not that he put on airs or demonstrated anything like the occasionally breath-taking arrogance of some of his contemporaries. At the same time, he exuded an intelligence that was as much a part of him as that perpetual half-smile, and slightly devilish gleam in his eye that suggested nothing should be taken too seriously.

I remember talking to him once when he was still single about going over to a girlfriend’s apartment and inspecting her bookshelf. “What put me off,” he said ruefully, “she was the only person I’ve ever met who had Harold Robbins in hard cover.”

A few of his longtime friends who knew David and loved him have lamented that the worst thing that ever happened to him was when he got rich.

Scott Abbott and Chris Haney, a couple of Montreal newspapermen who looked as though they had been out far too late the night before, had shown up at the Irish pub where Cobb and a few fellow scribes gathered each Friday. I happened to be at their lunch that fateful afternoon.  

Abbott and Haney explained they had created a board game and were looking for investors. I thought they were crazy. David obviously didn’t. He invested in what became Trivial Pursuit. The game exploded in popularity. As a result, David no longer had to write for a living and so, sadly, he didn’t.

But then maybe he slipped away in the nick of time, before the collapse of newspapers and magazines, the ignominious downsizing of rank-and file journalists. You don’t have to look very hard at the current journalism landscape to realize that the breed represented by David has become extinct, that era all but forgotten.

But that kid who wanted to be just like David Cobb has never forgotten. Old now himself, he keeps working at it, trying hard each day to do the impossible, to be a little bit more like David Cobb.

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The Legend I Knew: Remembering Norman Jewison

Every September for years, Norman Jewison and his vivacious wife, Lynne St. David-Jewison, would invite me and my wife Kathy to Norman’s roped-off area at the annual Canadian Film Centre picinic. We also regularly attended Norman’s spring sugaring off at his Caledon farm.

I cherished those times, Norman seemingly ageless even as he turned into his 90s, the movie legend who bestrode a much different Hollywood world yet who wore his legend status pretty darn casually. I always made sure when I was with him to stop and remind myself that this short, unassumingly delightful man was the guy who made such classics as In the Heat of the Night, The Cincinnati Kid, The Thomas Crown Affair, Fiddler on the Roof, and Moonstruck, huge popular hits that also received critical acclaim.

I met him when I was writing about movies in the 1980s. Back then, he occupied space in the iconic David O. Selznick building, the columned Tara-like structure you see in the opening credits of Gone with the Wind. Norman was by then a veteran of the Hollywood studio wars. He had managed to work within the system without being destroyed by it. The more Hollywood changed for the worse, the better his films looked.

Back in Toronto, we ran into each other from time to time. One year he invited me and two other local film critics, Jay Scott and Bruce Kirkland, to watch the Academy Awards at his downtown Toronto offices. In the midst of it all, Tony Bennett showed up with two beautiful women. Norman was the kind of guy who was at ease with, and probably amused by, the notion of throwing Tony Bennett in with a trio of ink-stained critics.

I got to know him better socially after he met his future wife, Lynne. She and I had become friends years before while toiling in the trenches of freelance writing. We still carried the scars.

By then the kind of socially conscious films Norman leaned toward had fallen out of favor at the studios. Everyone complimented and honored him but no one any longer wanted him for a movie. When I asked him, he said he was developing several projects, but nothing seemed to come of them. If it frustrated him, and it must have, he never said anything.

He and Lynne divided their time between Malibu in California and the Caledon farm. The last time I spoke to him we reminisced about the early days of the Toronto Film Festival, and the characters like Dusty Cohl who had created it. We talked so much, my wife finally pulled me away and said I was hogging him. She was probably right. I was struck again by how he just seemed to go casually on forever, at the same time reminding myself that no one does, not even Norman Jewison.

Then came the announcement that everyone who knew him had been dreading: Norman was dead at the age of 97. One of the last links to a better era in Hollywood was gone. I haven’t known many legends over the years, but if anyone asks, I can say I knew Norman Jewison—and he was a friend.

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The Circle Closes

My dear friend Hunter Grant, the former publisher of the Brockville Recorder and Times, the paper that changed my life, decided to make his exit today.  I owe Hunter and the Recorder and Times, everything. The paper hired a scared, unformed, rudderless sixteen-year-old to write for it, something I can’t imagine any other daily newspaper doing in any other place.  The paper formed me, strengthened me, prepared me to go out into the world, saved me from myself.

Hunter was the paper’s young, newly appointed publisher back then. As the untried kid in the newsroom, I never knew him well until we reconnected in Florida. One day, so his story goes, he asked a friend of his what he was reading. A series of Sanibel Sunset Detective mystery novels, the friend replied. Written by a fellow named Ron Base. Hunter couldn’t believe it. Not the kid who once worked at his newspaper?

Nearly sixty years had gone by when I received an email from Hunter: Are you that Ron Base? I was.  Hunter arranged a lunch. Kathy and I met with him and his delightful wife Betty. Time melted away. An enduring friendship full of laughter, love and memory was promptly born.

For years we met annually in Rockport near his home along the St. Lawrence River. When we got together, I always made sure to give him a hug. Moving towards the end, I embraced this warm, humorous, loving man, and I was at the beginning again. The circle of life, closing.

On New Year’s Day, I drove down to Brockville to say goodbye to Hunter. We sat and reminisced for a couple of hours remembering a newspaper time gone by. The second-floor newsroom with its big arched windows overlooking King Street was right out of The Front Page. The first time I walked in there, I thought I had died and gone to heaven. In a way, I had.

The characters in that newsroom were also out of The Front Page, at least in my mind: Tough-as-nails managing editor Sandy Runciman; gruff, rough heart-of gold, cigar-chomping city editor Harry Painting; sports reporter Don Swayne; and of course that legend of Brockville journalism, Betty McDowell. How could I ever forget on the prowl with Betty McDowell?

I embraced Hunter and I told him again how much his friendship meant to me, and how I don’t know what would have happened if the paper had not taken me in.

His newspaper had sent me away armed with something I had previously lacked: confidence. “I think we gave you something else,” he offered. “We gave you purpose.”

  How right he was. The Recorder and Times provided my way of escape, a magic carpet ride to the sort of exciting life I could never otherwise have imagined. I left town knowing nothing about the future yet knowing exactly what I had to do. I never looked back through all those decades until I met Hunter. The past came rushing back during that final afternoon together. I held him, told him I loved him, and the circle closed for the last time…

Hundreds gathered Friday, Jan. 19, to hear daughter Meredith (far left) celebrate the life of Hunter Grant at Brockville’s Aquatarium.
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Coming March 23: Princess of the Savoy!

Check back into London’s posh Savoy Hotel in the swinging sixties where dark forces and murder are uninvited guests—volume 3 in the cheeky series that is now a French bestseller.

Everything at London’s Savoy Hotel appears to be the picture of perfection: two Italian princes are checking in and an amorous English lord is taking photographs on the rooftop.

But in the Savoy Press Office, it’s a different picture entirely. There, Miss Priscilla Tempest is scrambling to avoid a boss who would like to be rid of her, a threatening American gangster, and the rather thrilling star of the Tarzan movies.

And it isn’t long before a fascist plot, hatched in an English country estate, arrives to truly ruin her day—and threaten British democracy.

In this third installment in Ron Base and Prudence Emery’s beloved series, reluctant Canadian crime-fighter Priscilla Tempest joins forces with her would-be lover—the ink-stained scribe of Fleet Street, Percy Hoskins—on a danger-filled adventure to untangle a deadly web of conspiracy that could get them both killed.

Sassy, suspenseful and always entertaining, Princess of the Savoy will delight readers looking to escape into a world of glamour, danger, treachery and a dead body or two—where there is always time for just one more cocktail, even when democracy itself is at stake.

Pre-Order your copy of Princess of the Savoy

HERE

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Tree Talks: The Sanibel Sunset Detective Is Now an Audio Book on Amazon

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The (Small)Triumph of King Lear

The guest host for the second show of the second season of NBC’s hit Saturday Night Live, was the king of network television, Norman Lear, who now has died at the age of 101.

Saturday Night Live (recently renamed from NBC’s Saturday Night) was full of young, newly anointed talents, including John Belushi, Dan Aykroyd, Gilda Radner, and Jane Curtin. Overnight, they had taken American television by storm with their irreverent brand of sketch comedy.

The Not Ready for Prime Time players, as the cast was known, were led by a whirling dervish of a Canadian named Lorne Michaels. He had stick-handled the show onto late night television and made it an unlikely, much talked-about success.

These were the new kids at the revolution. Norman Lear wandering around in his ubiquitous canvas porkpie hat and red sweater was by then somewhat old school, even though he had started a revolution of his own with such groundbreaking series as All in the Family and Maude.

The atmosphere around Studio 8-H was not particularly welcoming. All the attention over the past year had made the cast arrogant and standoffish. They certainly had little time for Lear, who, as rehearsals proceeded through the week, seemed very much a fish out of water. I felt the same way, but then I was doing a story on Michaels for Maclean’s magazine, yet another unwanted writer hanging around.

The dividing line between the old, represented by Lear, and the new of Lorne Michaels and his gang became apparent as the live telecast drew closer. Lear suddenly appeared with a video tape that had been recorded in Los Angeles by the stars of his shows.

Carroll O’Connor and Jean Stapleton from All in the Family, Bea Arthur from Maude, Sherman Hemsley of The Jeffersons, all appeared in praise of their boss’s brilliance. It was supposed to be funny—emphasis on supposed to be.

When the tape ended, there was silence in the room. Michaels finally said quietly that the piece was long. Lear said he thought it worked and wanted it aired as part of the show. Michaels didn’t say anything. Lear spoke up again, coldly insistent: A lot of people had gone to a great deal of trouble to make this tape. He would be embarrassed if it wasn’t shown.

The conflict remained unresolved as airtime approached. It was hard to tell what was going to happen. On the one hand, Michaels was so full of self-confidence, so sure of what he wanted—or didn’t want—that I could well imagine him shelving the tape. On the other hand, this was Norman Lear, faded a bit from his earlier successes, but still the king of television comedy.

On Saturday night, Lear stood before the studio audience and announced that a few of his friends had sent along a tape. He had prevailed over these young upstarts. It turned out to be a hollow victory. I had watched all week while Lorne Michaels made decisions that transformed what earlier seemed to be a funny show, into a second season misfire.

He was right about one thing, though: King Lear’s tape wasn’t funny.

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The Rascal Exits

A week ago, some of Bob Meyer’s old pals at the Windsor Star gathered with him in his room at the Hotel Dieu Healthcare palliative care unit. We sat around for the afternoon swapping ancient myths and tall tales about a bygone era in newspapering that we were all part of.

Those were the days when the Star was a big, vibrant, hugely successful newspaper and the newsroom was choc-a-bloc with talented characters. No one was more of a character than Bob Meyer. He was, what your grandmother might have described as a bit of a rascal. He occupied his own desk at the Star, seemed to come and go as he pleased, and, to me at least, was an intriguing figure leaving the impression that he knew the score and where one might find the good times across the river in the wild west that was downtown Detroit.

I was nineteen years old, lonely, scared, managing to screw everything up, convinced that at any moment I was going to be fired. Bob was the seasoned pro who generously took me under his wing. Although I don’t think he ever reassured me that I wouldn’t get fired, he sure buoyed my spirits and gave me hope.

He also got me into a few places in Detroit that otherwise I might have missed. Every so often, I would look over and see Bob with that devilishly impish look he took on when we were about to get up to what, again, your grandmother might have defined as no good. Although, in retrospect, no good usually turned out to be pretty damned good.

I worshiped the guy back then, in awe of his talent as a reporter, the way he conducted himself, the aura of self-assurance he always carried with him. His friendship and support, the shoulder he provided for me to lean on, got me through those first days at the Star. I will be forever grateful to him. And no, I didn’t get fired.

All of that came flooding back as we sat with his strong, supportive and loving wife, Bev, and said goodbye to Bob. I took his hand in mine, told him how much I loved him—and, I swear this is true, for a brief moment, the rascal was back, giving me that devilishly impish look I remembered so well, and once again we were headed back across the river, up to no good…

Tears in my eyes.

Bob and Bev Meyer
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A Fleeting (Manufactured) Wisp of Glory: John. F. Kennedy 60 Years Later

What universally came to be known as the Kennedy Compound in Hyannis Port is barely visible through early Sunday morning mist, and all these years later there is still a security guard present to shoo away nosy tourists.

It is eerily quiet in the prosperous neighborhood abutting the compound, a few dog walkers pass as you pause to contemplate the approaching 60th anniversary of the assassination of America’s thirty-fifth president, John F. Kennedy.

You know you are of a certain age if that November 22, 1963 date is indelibly imprinted in your DNA. I was closing my high school locker on that afternoon, having heard vague talk about the president being shot. The assistant principal, Mr. Grant, happened along. A pinched formal little man, I stopped him and asked if he’d heard that the president had been shot. “Yes,” he stated with an undertaker’s formality. “I believe that is the case.”

 For a fifteen-year-old consumed by the glamorous aura surrounding John Kennedy, his wife Jacqueline, and their two children, this was a gut-wrenching moment, one that has stayed with me to this day.

I had bought into the idyllic Life magazine view of the Kennedys, a view that a few minutes away from the Kennedy Compound, the Kennedy Museum eagerly plays into: The handsome, confident young prince with the beautiful wife and the delightful children.

John Kennedy spent summers at Hyannis Port on Cape Cod and the museum displays dozens of photographs of Jack, as he was known around the Kennedy compound, mostly at sun-kissed play, sailing, playing golf, wrestling with the children.

All this had a bittersweet nostalgic effect on me as I made my way through the rooms, rekindling the childhood yearning produced by the Kennedy mystique that so permeated the popular culture at the time and even found its way to smalltown Canada.

Most of it wasn’t true, a cleverly constructed fable in an era when you could still get away with cleverly constructed fables; there was no fleeting wisp of glory called Camelot. The photos on display in the museum were largely staged by Life Magazine photographer Mark Shaw. Kennedy was hardly the family man portrayed in Shaw’s beautifully rendered pictures. The young prince of my childhood fantasies slept with Marilyn Monroe, shared a notorious gangster’s mistress, and, if investigative reporter Seymour Hersh is to be believed, hosted orgies in the White House swimming pool.

I’ve long known of these darker realities, but like so many of us from that generation, it remains difficult to give up completely on the myth. This summer at the Kennedy Museum, I had no trouble at all once again wallowing it, and today, on the sixtieth anniversary of his death, it lingers still—like the mist around the Kennedy compound.

I should know better, but as I drove away from Hyannis Port, those damned Lerner and Loewe lyrics that I memorized as a kid kept rattling around in my head: “That once there was a fleeting wisp of glory…”

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‘Can’t Wait to See You’: Remembering Stephen Rubin

I was having dinner in a New York restaurant called Lilies when I found out Steve was dead.

We were supposed to dine together the following evening. Increasingly worried that I had not heard from him, I Googled his name. The first headline that popped up wasted no time letting me know what had happened: Stephen Rubin Dead.  A book publishing legend, the obits said, responsible for the mega-selling The Da Vinci Code (something he had predicted would happen when his obituary was written) had died suddenly at the age of 81.

This was Monday night. Steve had died the previous Friday.

Sitting in a noisy restaurant, surrounded by happily chatting patrons, discovering that the friend you’ve known for nearly half a century is abruptly gone, leaves you bewildered, numb, and choked with disbelief: how could this be?

A month before, another Stephen, Stephen Silverman, another New York friend whom I had not seen in years and had planned a lunch with, another instance of worrying that I had not heard from him, only to discover through the internet that he had died. The irony of the two Stephens dying so unexpectedly as I visited New York for the first time in many years, was unimaginable. It could not possibly have happened, I kept telling myself.

And yet it had.

Where to start with my feelings about Steve? Love? Frustration? Admiration? Envy? A little bit of all those things. Overwhelmingly, love and admiration, that’s for certain—with a lot of appreciation added.

When I met him in the late 1970s, Steve was a long way from a publishing legend. A former New York Times entertainment writer specializing in opera, his true love, he had created a syndicate called Writers Bloc. He had gathered together a seasoned group of New York writers to provide magazine pieces to the Sunday supplements for an impressive number of major newspapers, ranging from the Los Angeles Times and the Chicago Tribune to the Miami Herald, the Washington Post, New York Newsday, the Toronto Star, and the New York Post.

Thanks to Steve, I ended up writing for all those publications. Along the way, we became close. We talked almost daily on the phone, and every couple of weeks or so, I would arrive in New York to pursue the latest story Steve had cooked up. I stayed with Steve and his partner, Cynthia Robbins, in their small lower East Side apartment.

If one was in search of the poster boy for the archetypal sophisticated New Yorker, you needed to look no further than Steve Rubin. Well armed with an acerbic wit, opinionated, exuding a self-confidence that on occasion got awfully close to arrogance yet never quite crossed that line, always carefully turned out in a blazer and tie—a charmer, mostly irresistible, except on the occasions when something I had written fell short of his expectations. Then he could be the harsh, demanding editorial taskmaster.

Before I met her, Steve warned me that his partner, Cynthia, was older. That was no big deal, I said, my wife at the time was also older than me. “No,” Steve said, “I mean a lot older.”

And Cynthia was a lot older and quite a character. A tough-tough talking New York…dame, there is no other word for it. I’ve seldom met anyone as outspoken. But then she leavened her outspokenness with a winning smile and the admonition, “Try to remember I love you, puss.”

I wondered about them but then they got along so well—I never heard them trade a cross word—that nothing else mattered.

What a time I had with the two of them; the life, for a couple of years, as close to a New York writer as a kid from smalltown Canada could ever hope to get. I went everywhere it seemed and met, well, if not everyone, a lot of delightful people.

It couldn’t last—and it didn’t.

As newspapers across the country began to run into problems, their freelance budgets were cut and that spelled trouble for Writers Bloc. I was in New York with Steve when it came to an end. The enduring image I have as I left was of Steve working as usual at his tiny desk. As always, he was shaved, and wearing a tie. Undaunted, full of his trademark optimism. Still, I wondered what was to become of him. He didn’t seem to have any prospects at all.

I should have known better.

Within weeks, he had landed at Bantam Books. It seemed like no time at all before he was running the company. Moving to Doubleday, Steve truly began to shine, finding what he called the “big- ticket bestsellers” that inspired ‘legendary’ in front of the word publisher.

Steve discovered John Grisham, stick handled The Da Vinci Code into one of the bestselling novels of all time, and more recently at Henry Holt, published Bill O’Reilly and Michael Wolff’s Fire and Fury: Inside the Trump Whitehouse.

By then, Steve had become a wealthy man (he said he received a million-dollar bonus for The Da Vinci Code), complete with a gorgeous Upper Westside apartment, a place in the Hamptons, and a chauffeur to get him there.

Would I have guessed that the friend I worked with so closely was capable of reaching such publishing heights—“the quintessential hitmaker of the book world,” according to the New York Times? Let’s say I would never have predicted it given the shape he was in when Writers Bloc fell apart. But knowing Steve, I must say, I am not surprised.

Keeping a friendship going post-Writers Bloc was not always easy. Although he published my first novel in New York, Steve could not be shaken from his belief that I was not a fiction writer. To him, my forte was nonfiction. He wanted me to do the as-told-to celebrity autobiographies he loved to publish. Through no fault of either of us, projects that would have involved the movie mogul Jerry Weintraub, the classic Hollywood producer, Ross Hunter, and the acting legend Robert Mitchum, never materialized. Just as well, as far as I was concerned.

In the following years, I wrote 24 novels, my way, I suppose, of trying to prove Steve wrong about me. I’m not sure I ever did, although when he published his autobiography, Words and Music: Confessions of an Optimist, he actually described me as a novelist, a tiny victory.

I called to congratulate him on his book in which, to say the least, he had taken no prisoners. “Well, no one is talking to me,” he said with typical offhandedness. “But that’s okay.”

Our conversation was a throwback to old times, Steve, as I always called him, and Rhone, as he always called me, pals again. We agreed to meet for dinner in New York. I said he sounded great and from what I could see from various photos, the years hadn’t changed him much at all.

“Don’t kid yourself,” he said ruefully. “Turning 81 is not easy.” I didn’t think much about that at the time. After the call, I wrote him a note saying how much Kathy and I were looking forward to seeing him. He wrote back, “Cannot wait to see you both…so happy and excited!”

Then…nothing…

Silence, except for the surrounding noise of a crowded restaurant, the fleeting look of concern on the face of a woman across the way, seeing a man in his mid-seventies, in shock, his wife gripping his hand as tears streamed down his face…

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